"[107] Welles' father was an alcoholic and womanizer who would often take a teenage Welles along with him when he was indulging in his vices. Most filmmakers go for the tragedies - vide Welles himself - or settle for Romeo and Juliet but the History plays are seldom tackled. There live not three good men unhanged in England. first two singles 'Nobody Loves You Like I Do' and 'Dreams At Midnight' When MADRUGADA got together again in 2019 after a ten-year break to celebrate the 20th anniversary of their debut album classic 'Industrial Silence' with an extensive comeback tour through . "[98], The film had a European release on DVD and Blu-ray on June 29, 2015.[99][100]. Beatrice Welles attended and announced that "a major DVD/Blu-ray label is interested in restoring and releasing Chimes at Midnight. Genre: Peppercorn-Wormser, Production Co: Because of the one-time scarcity of materials and screenings, this nearly 13-hour-film had gained a reputation . [117] Welles and Feder later reconnected but their relationship never fully recovered. Neither of these plays was successful, but Welles considered portraying Falstaff to be his life's ambition and turned the project into a film. Jun 14, 2004, Box Office (Gross USA): Chimes At Midnight draws primarily from Henry IV, Part 1 and Henry IV, Part 2, but also includes segments from Richard II, Henry V, and The Merry Wives of Windsor. By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. Welles also cast each actor in both films, casting himself as Long John Silver, Baxter as Dr. Livesey, Beckley as Israel Hands and Gielgud as Squire Trelawney. Between noir thrillers like The Stranger and The Lady From Shanghai to subversive documentaries like F for Fake, Welles showed that he wasnt interested in coasting on the success of Citizen Kane for the rest of his career. "[71] Penelope Houston called it "a film which seems to turn its back on brilliance. Shakespearean scholar Daniel Seltzer said that "the social consciousness of the movie is as alert as Shakespeare's, and thematically pertinent in Shakespearean terms toothe footage of the Battle of Shrewsbury itself must be some of the finest, truest, ugliest scenes of warfare ever shot and edited for a movie. Emiliano Piedra, "[108] Throughout the film, Hal repeatedly turns his back on Falstaff, foreshadowing the film's ending. Also in the Great Movies collection at rogerebert.com are Welles' "Citizen Kane" (1941) and "Touch of Evil" (1956) and Carol Reed's "The Third Man" (1949). After a main credit sequence, the narrator explains that King Henry IV of England has succeeded Richard II, whom he has killed. It lasts fully 10 minutes, chaotic action at a brutal pitch, horses and men confused in smoke and fog, steel crashing against steel, cries of pain, desperate struggles, confused limbs caked in mud and blood, men falling exhausted or dead. [35] According to Keith Baxter, Welles ended the play's run because he was bored with it, and at one point told Baxter "This is only a rehearsal for the movie, Keith, and I'll never make it unless you play Hal in that too." [91][92], At the 1966 Cannes Film Festival, Chimes at Midnight was screened in competition for the Palme d'Or and won the Technical Grand Prize (tied). I speak to thee my heart! The battle is intercut with shots of a fat man in armor, hurrying and scurrying out of the way and finally playing dead. Testing his mettle in New York, in his early twenties, as a theatrical director, actor, and impresario of vast originality (he was on the cover of Time magazine in 1938, at the age of twenty-three,. [113], Welles' biographer Simon Callow has compared Falstaff to Welles' father Richard Head Welles, stating that like Falstaff, Welles' father was "a drunkard, a trickster, a braggart, a womanizer, a gentleman and a charmerand he is rejected by the person he loves the most. [68] The film contains no true soliloquies, since characters are never alone and do not speak directly to the audience during their speeches. This was the only significant amount of time that the two spent together and afterwards Lindsay-Hogg only saw Welles sporadically. Falstaff, "this huge hill of flesh," is one of Shakespeare's greatest characters -- the equal, argues Harold Bloom, of Hamlet. We have heard the chimes at midnight Master Shallow. He and other actors circle verticals and one another as they speak, just as Welles and Joseph Cotten circled in "Citizen Kane" and "The Third Man." Come let's to dimmer, come let's. What luck that Welles shot in black-and-white, so there was no color to fade. The aging King Henry IV (Sir John Gielgud) watches disapprovingly as his son Hal (Keith Baxter) (later Henry V) enjoys a rude and irresponsible life under the bloated and decadent Sir John Falstaff (Orson Welles). Welles later said that he had rejected offers for funding that were conditional upon filming in color. That each man hears the other's intended soliloquy adds a dimension to both. However, their performances were differentiated from other interpretations because Welles only showed the moments of their lives when they would have interacted with Falstaff. "[107] Reviews for the 1939 play mention Welles' choice to downplay the traditional comedic elements of Falstaff in his performance. Orson Welles, Producer: Harry Saltzman, Writer: You're almost there! He once asked an audience, reduced by a snowstorm: "Why are there so many of me and so few of you?". Perhaps I was not in the mood to take in one of Shakespeare's lesser regarded works but I completely did not enjoy this Welles' masterpiece. This version, now retitled Chimes at Midnight,[25] was produced by Welles' old friend Hilton Edwards through his Dublin-based company Gate Theatre. Welles then traveled to Cardona, where the Royal Court scenes and Marina Vlady's scenes were shot, and to Madrid's Casa de Campo Park, where the Gadshill robbery scene was filmed. Through Falstaff's eyes we see the reign of King Henry IV and the rise of Henry V. Sir John Falstaff (Orson Welles) is the hero in this compilation of extracts from Shakespeare's "Henry IV" and other plays, made into a connected story of Falstaff's career as young Prince Hal's (Keith Baxter's) drinking companion. Welles grew fat and in debt, took jobs unworthy of him, was trailed by sycophants and leeches, yet was loved by good women and honored by those who could see him clearly. To this basic accomplishment, Welles brings several passages of genius. Through Falstaff's eyes we see the Read allWhen King Henry IV ascends to the throne, his heir, the Prince of Wales, is befriended by Sir John Falstaff, an old, overweight, fun-loving habitual liar. The king refuses, and thus Mortimer's cousins, the Percys, begin to plot Henry's overthrow. This 10-digit number is your confirmation number. Coming Soon. Henry sentences Worcester to death and takes his men as prisoners. It dropped so completely out of sight that there is no video version in America, Britain or France. [17] Welles commissioned an elaborate revolving set to be built, but it was not completed during the five weeks allotted to rehearsals. Shakespearean scholar Kenneth S. Rothwell said that Welles "goes beyond mere tinkering with Shakespeare's scenes; [he] massively reworks, transposes, revises and deletes, indeed reconstructs them." Welles was interested in the betrayal of friendship that drew these stories together, and was interested in playing a more mature version of Falstaff than he had seen in previous adaptations. As great as George Romeros other films were, he will always be known as the mastermind behind Night of the Living Dead; similarly, Jordan Peele will always be referred to as the writer/director of Get Out, even though Us and Nope were also well-received. Chimes at Midnight Directed by Orson Welles 1966 Spain, Switzerland Starring Orson Welles, Keith Baxter, Jeanne Moreau The crowning achievement of Orson Welles's extraordinary cinematic career, CHIMES AT MIDNIGHT was the culmination of the filmmaker's lifelong obsession with Shakespeare's ultimate rapscallion, Sir John Falstaff. Back in Januarywhile the Shakespearean epic was enjoying a theatrical run at Film Forum and we w, New high-definition digital restoration, with uncompressed monaural soundtrack on the Blu-ray, Audio commentary featuring film scholar James Naremore, author of, New interview with director Orson Welless daughter Beatrice Welles, who appeared in the film at age nine, New interview with actor and Welles biographer Simon Callow, New interview with film historian Joseph McBride, author of, Interview with Welles while at work editing the film, from a 1965 episode of, English subtitles for the deaf and hard of hearing, PLUS: An essay by film scholar Michael Anderegg. and the By creating an account, you agree to the "It's my favorite picture, yes," he told interviewer Leslie Megahey in a 1982 interview for BBC Arena: If I wanted to get into heaven on the basis of one movie, that's the one I would offer up. Classics and discoveries from around the world, thematically programmed with special features, on a streaming service brought to you by the Criterion Collection. And he battled on, Quixotic as well as Falstaffian, commencing grand schemes and sometimes actually finishing them (indeed, his "Don Quixote" can now be seen in intriguing but incomplete form). [5] School officials forced him to make cuts to the production. History, Mr. Bongo does moviegoers proud by taking this classic and restoring it to vivid life. Welles' personal connections to Sir John Falstaff, Canby, Vincent, "The Undiminished Chutzpah of Orson Welles. How can it be that there is an Orson Welles masterpiece that remains all but unseen? The battle scene is the best I have seen. [66] Specific changes include a scene near the end of the film in which Hal pardons an imprisoned street rabble-rouser just before his expedition to invade France; Welles slightly altered this scene from Henry V, Act 2, Scene 2. Chimes at Midnight is an epic war film, a dark comedy, and a great character study all at once. When the younger Welles turned fifteen, he took the advice of Roger Hill and told his father that he would not see him again until he cleaned up his act and stopped drinking; Welles' father died shortly afterwards, alone and lonely, and Welles always blamed himself for his father's death, stating, "I always thought I killed him. Its sources were Richard II, Henry IV, Part 1, Henry IV, Part 2, Henry V, The Merry Wives of Windsor, Henry VI, Part 1, Henry VI, Part 2, Henry VI, Part 3 and Richard IIIsometimes collectively called the "War of the Roses cycle". [103] Peter Becker, Criterion's president, said that the release is the product of more than 20 years of effort: "There is no film we have waited longer for or worked harder to free up, and none we are prouder to present", he said. She said the Battle of Shrewsbury sequence was "unlike any battle scene done on the screen before. It lasts fully 10 minutes, chaotic action at a brutal pitch, horses and men confused in smoke and fog, steel crashing against steel, cries of pain, desperate struggles, confused limbs caked in mud and blood, men falling exhausted or dead. "[73], Judith Crist praised the film as "stark, simple, concentrating on word and performance, serv[ing] as a reminder of where the substance of the play lies. [27][36] Chimes at Midnight was Welles' final performance in a theatrical play. To wit, Northumberland, his son Henry Percy (called "Hotspur") and Worcester. Chimes at Midnight isnt the first time that Welles looked to Shakespeare for inspiration; much of Citizen Kanes narrative is based on the tenets of tragedy that can be found in The Bards most heartbreaking stories. "[72] A Time review also criticized Welles, stating that "[he] is probably the first actor in the history of the theater to appear too fat for the rolehe takes command of scenes less with spoken English than with body English", but that he is "never entirely bad. Richard II's true heir, Edmund Mortimer, is a prisoner in Wales, and Mortimer's cousins Northumberland, Worcester, and Northumberland's son Hotspur demand that Henry rescue Mortimer. For two nights Orson did a one-man show, starting with readings of J.M Synge, Riders to the Sea, Moby Dick and the works of Isak Dinesen. On view at the gallery's West 20th Street space, Chimes at Midnight features a group of seven large-scale, vertically oriented works in one of Bove's largest installations yet.Bove's new sculptures convey an apparent lightness that belies their materiality, and continue the artist's engagement with the limits of physicality and perception. When King Henry IV ascends to the throne, his heir, the Prince of Wales, is befriended by Sir John Falstaff, an old, overweight, fun-loving habitual liar. Directed by Orson Welles 1966 Spain, Switzerland Chimes at Midnight. Welles agreed to this on condition that he could simultaneously make Chimes at Midnight, and Piedra agreed not knowing that Welles had no intention of making Treasure Island. Afterwards it was revealed that the TV cameras were fake, just to attract an audience. Falstaff brings Hotspur's body to Henry, claiming that he killed Hotspur; Henry does not believe Falstaff, instead looking disapprovingly at Hal and the ignoble company he keeps. [53], Welles had originally wanted the entire film to use high-contrast cinematography, resembling engravings of the Middle Ages; only the opening title sequence uses this technique. Disputes over the ownership of Chimes at Midnight made it difficult to view the film legally until recently. [19] Five Kings, Part 1 premiered at the Colonial Theatre in Boston on February 27, 1939, and was a disaster. Critic Lloyd Schwartz . Complaints about low-quality dubbing seem unfair in the face of such stunning images and inspired direction. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend. It stars Welles as Falstaff, Keith Baxter as Prince Hal, John Gielgud as Henry IV, Jeanne Moreau as Doll Tearsheet and Margaret Rutherford as Mistress Quickly. "[74] Pauline Kael also criticized the poor sound, but gave a favorable review overall, singling out the film's casting and calling Welles' performance "very rich, very full." The King's army, including Falstaff, parades through the streets and off to war. Chimes at Midnight has a little of everything: low comedy, highly artistic camera angles, exciting battle scenes (the battle of Shrewesbury scene influenced Braveheart) and a deeply moving story that Welles has 'discovered' between the lines of Shakespeare's histories. "[63] Tony Howard wrote that Welles used Shakespeare's historical plays "to denounce modern political hypocrisy and militarism. MadrugadaChimes At Midnight 2021 Madrugada Music AS under exclusive license to Warner M. The Criterion Collection released the film on Blu-ray and DVD on August 30, 2016.[3]. I refer not to incomplete or abandoned projects that have gathered legends, but to "Chimes at Midnight" (1965), his film about Falstaff, which has survived in acceptable prints and is ripe for restoration. A classic story adapted by a filmmaker near his creative peak, History, Chimes at Midnight was an epic that centered on Falstaff, a fat scalawag with tragicomic weight Welles had wanted to play for ages. 6,135 Views . Such scenes illuminate the life Welles poured into "Chimes at Midnight." 46 out of 50 found this helpful. When King Henry IV ascends to the throne, his heir, the Prince of Wales, is befriended by Sir John Falstaff, an old, overweight, fun-loving habitual liar. The narrator explains that Hal went on to become a good and noble king. By far the best of Welle's three Shakespearean adaptations this is also arguably THE best Shakespeare on screen. "[111] When Joss Ackland played Falstaff on the stage in 1982, he said that he was more inspired by Welles than by Welles' performance as Falstaff, stating that "like Falstaff, I believe he could have achieved so much, but it was frittered away. [67] In both Chimes at Midnight and in Henry V, this scene is followed by Falstaff's death. Initially dismissed by most film critics, Chimes at Midnight is now regarded as one of Welles' highest achievements, and Welles himself called it his best work. 10th Chicago Critics Film Fest Features Past Lives, Blackberry, Sanctuary, Theater Camp, and Many More, A Road Paved with Bloodshed: High Plains Drifter Turns 50, Cannes 2023 Line-up Includes Wes Anderson, Martin Scorsese, and Many More, Ebertfest Welcomes Molly Cornyn as its New Project Coordinator. We were proud to announce earlier this week that Orson Welless legendary masterpiece Chimes at Midnight will be joining the collection come August. [76] Welles was disappointed with the film's reception, complaining that "almost nobody has seen it in America, and that drives me nuts."[77]. Chimes at Midnight (1965) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Orson Welles Writing Credits Cast (in credits order) complete, awaiting verification Produced by Music by Angelo Francesco Lavagnino Cinematography by Edmond Richard Film Editing by Production Design by Mariano Erdoiza Set Decoration by After a main credit sequence, the narrator explains that King Henry IV of England has succeeded Richard II, whom he has killed. [56] Welles was harsh with his crew members and according to actor Andrew Faulds, "he spoke in five different languages to them and was pretty offensivevery demanding. Welles as director uses some of his familiar visual strategies; the vast interiors of Henry IV's castles contrast with the low ceilings and cluttered rooms of bawdy houses, just as the vast space of Kane's great hall contrasts with the low ceilings and dancing girls of the New York Inquirer. Mike Judge's Beavis and Butt-Head: Season 2, Link to The Marvelous Mrs. Maisel: Season 5, Link to Marvel Movies Ranked Worst to Best by Tomatometer, Link to RT25: Celebrating 25 Years of Rotten Tomatoes, Link to Betty Gilpin & Co. on Deciphering. https://moviedent.online/movie/tt0059012WATCH MORE FREE MOVIES! The film opens with Sir John Falstaff and Justice Shallow walking through the snow, then to a warm fire inside Justice Shallow's home in Gloucestershire, as the two reminisce. [97] In February 2015, the film was screened at the Sedona International Film Festival. I'm not a huge Shakespeare fan, and I found this laugh out loud hilarious at some times and emotionally resonate at others. "In effect," Anderegg writes, "Welles generates a constant tension between what we see and what we hear, a tension that points to the ambiguous status of language in its relation to action. Five years later, Baxter and Welles' youngest daughter, Beatrice Welles, who played Falstaff's page, were the only cast members from the play to appear in the film. Henry's heir, Prince Hal (Keith Baxter), is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff (Orson Welles). [53] Welles was timid about shooting his love scene with Moreau, and used a double whenever possible. Worcester returns to his camp and lies to Hotspur, telling him that Henry intends to execute all traitors. He has been writing film reviews and news coverage for eight years with bylines at Collider, Dallas Observer, About.com, Taste of Cinema, Dallas Morning News, Schmoes Know, Rebel Scum, and Central Track. Film critics have compared it to the Odessa Steps sequence in Battleship Potemkin and the Battle on the Ice sequence in Alexander Nevsky, both directed by Sergei Eisenstein. [86] Michael Anderegg said that Chimes at Midnight's use of wide angle lenses, low-key lighting and costumes, and its focus on the relationship between Falstaff and Prince Hal influenced My Own Private IdahoGus Van Sant's 1991 loose adaptation of Henry IV Parts 1 and 2. The narrator explains that all of Henry IV's rebellious enemies had been killed by 1408, but that Henry's health has begun to deteriorate. that premiered on January 1, 2016, at Film Forum in New York City January 112, 2016 and Cinefamily in Los Angeles. When I played him before in the theater, he seemed more witty than comical. The performances are uniformly strong as well. [28] At one point, Welles and Edwards wanted Michel Mac Liammir to replace Jarman as Henry IV, but Mac Liammir would only accept the role of Prince Hal. They receive news of Henry IV's death and that Hal's coronation will be held that morning. I think it's because it is to me the least flawed; let me put it that way. Mr Bongo Records screened a restored version in the UK at Picturehouse Cinemas on August 1, 2011. Note: A restoration of "Chimes at Midnight" is said to be in progress, with a possible release in a year or two. [101][102] This restored version is not derived from the Distribpix print. Preparing to attend the epic production of both parts of Shakespeare's "Henry IV" at the Chicago Shakespeare Theater, I wanted to see it again and found it available on DVD from Spain and Brazil. Orson Welles, Release Date (Theaters): But, being awaked, I do despise my dream." Chimes at Midnight (The Criterion Collection) [Blu-ray] Orson Welles (Actor, Director), Jeanne Moreau (Actor) Rated: NR Format: Blu-ray 488 ratings IMDb 7.7/10.0 Amazon's Choice for "orson welles" -46% $2161 List Price: $39.95 Get Fast, Free Shipping with Amazon Prime FREE Returns Prime Video $3.99 $14.99 Blu-ray $21.61 DVD $7.99 Blu-ray [34] Welles finally abandoned the entire project in late March 1960, when his friend Laurence Olivier offered him the chance to direct him in Eugne Ionesco's play Rhinoceros on London's West End. Recorded in 2016, this commentary features film scholar James Naremore, author of The Magic World of Orson Welles.. [29] Hilton Edwards was officially credited as director, but Welles is usually acknowledged as the actual director and was often the director throughout rehearsals. New and Upcoming Science Fiction and Fantasy. [44] Welles' limitations on the film included a budget of $800,000 and actors Jeanne Moreau and John Gielgud being available for five and ten days respectively,[45] while Margaret Rutherford was available for only four weeks. [69], Chimes at Midnight premiered to a positive audience reception at the 1966 Cannes Film Festival. The crowning achievement of Orson Welles's later film career, Chimes at Midnight returns to the screen after being unavailable for decades. [23] Photographs of the play's rehearsals show similarities to Chimes at Midnight, including the Boar's Head Tavern set and the character blocking of the "chimes at midnight" scene with Falstaff, Shallow and Silence. The corpse of Hotspur opens and closes his mouth several minutes after his death. Orson Welles' vision is strange, powerful and inspiring. Janus Films released a restored version of the film on D.C.P. Hal's Henry calls Falstaff a "misleader of youth". [38], Welles said that the Boar's Head Tavern was the only full set built for the film, and the other sets were simply dressed or decorated on location. Anderegg wrote that this, in combination with Welles' fast-paced camera movements and editing, makes the Shakespearean dialogue more difficult to understand. $123.4K, Runtime: Hal and Poins poke holes in Falstaff's tale until they reveal their joke to the entire group. [54] Welles filmed all of the battle scenes in long takes, but cut the shots into fragments to create the effect that he wanted. 1h 55m, Distributor: Harry Saltzman's widow Adriana Saltzman,[52] the families of producers Emiliano Piedra and Angel Escolano and the estate of Orson Wellesmaintained by Beatrice Welles among others have all claimed ownership of the film. The scene of the battle of Shrewsbury is justly famous. "[75] Cahiers du Cinma critic Serge Daney also praised both the film and Welles' ability to make great films on the subject of power. This is a magnificent film, clearly among Welles' greatest work, joining "Citizen Kane," "The Magnificent Ambersons," "Touch of Evil" and (I would argue) "The Trial." Just below that it reads "Ticket Confirmation#:" followed by a 10-digit number. [114] Both of Welles' surrogate fathers disapproved of Richard Welles' life-style and negative influence on Welles. Falstaff's Henry chastises Hal for spending his time with common criminals, but names Sir John Falstaff as his one virtuous friend. 100/100 Cinemark Be the first one to write a review. The Paris-born daughter of a Folies Bergre dancer and a restaurateur, Moreau started out as a stage actress at the Comdie-Franaise before earning supporting roles in B pictures and crime dramas in the fiftiesthe most often recalled now being Jacques Beckers captivating 1954 heist thriller Touchez pas au grisbi, with Jean Gabin. Welles uses dramatic camera angles, craning to look up at the trumpeters atop the battlements as Henry IV rides off to battle. Citizen Kane is the story of the loss of childhood innocence told by a young man, and The Lady From Shanghai showed Welles as a confused bachelor trying to discover what romance really means. [49], By late December, Welles had run out of money and the film was put on hold while he searched for additional funding. In order to get initial financing, Welles lied to producer Emiliano Piedra about intending to make a version of Treasure Island, and keeping the film funded during its production was a constant struggle. Through Falstaff's eyes we see the reign of King Henry IV and the rise of Henry V. Falstaff: My King! His son is no consolation; the king envies Northumberland his son Henry Percy, known as Hotspur (Norman Rodway), and wishes "would I have his Harry, and he mine." Starring Orson Welles, Keith Baxter, Jeanne Moreau. "[43] Welles called Hal's rejection of Falstaff "one of the greatest scenes ever written, so the movie is really a preparation for it. Welles shot Chimes at Midnight throughout Spain between 1964 and 1965; it premiered at the 1966 Cannes Film Festival, winning two awards there. Henry IV, Part 2, Act V, Scene 5. In fact, his 1966 Shakespearean adaptation Chimes of Midnight is a thoughtful, emotional epic that may even rival Citizen Kane as the pinnacle achievement of his career. [30], In 1964, Welles met and befriended Spanish film producer Emiliano Piedra, who wanted to work with him. Henry finally has faith in Hal and advises him on how to be a king. [88] This collection was later donated to the University of Michigan for scholarly study. Welles continued to adjust the play throughout its short production, and at one point moved Mistress Quickly's speech about Falstaff's death to the very beginning of the play. 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University of Michigan for scholarly study in Los Angeles 123.4K, Runtime Hal! One-Time scarcity of materials and screenings, this nearly 13-hour-film had gained a.. Offers for funding that were conditional upon filming in color out of sight that there is no version. Comedy, and thus Mortimer 's cousins, the Percys, begin plot... Vincent, `` the Undiminished Chutzpah of Orson Welles, Producer: Harry Saltzman,:! In Henry V, scene 5 Falstaff 's death comedic elements of Falstaff in his performance wanted to with! Screen before ] this restored version of the one-time scarcity of materials and screenings, this nearly had. Romeo and Juliet but the History plays are seldom tackled in New York City January,... 'S overthrow cousins, the film 's ending dialogue more difficult to understand about low-quality seem. John Falstaff, Canby, Vincent, `` [ 107 ] Reviews for the 1939 play mention Welles ' performance! 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